Works
Selected List of Original Works
Orchestral
New Work for full orchestra (in preparation)
Night Visions for full orchestra (9’)
With Reverence (in memoriam Gérard Grisey) for solo horn, strings [4, 3, 2, 2, 1] and percussion (8’)
Vocal and Choral
Breathturn (text, Paul Celan) for chamber choir (6’)
So Close (text, Pablo Neruda) for soprano and piano (4’) [may be programmed with the Waters of Time cycle]
Songs of Longing (text, Sappho) for three female voices and baroque chamber ensemble (20’)
That Time (text, Pablo Neruda) for soprano, alto flute, clarinet, violin, cello, piano and percussion (7’) [should be programmed with the Waters of Time cycle]
Twilight (text, six poems by e. e. Cummings) for soprano and alto flute, clarinet, violin, cello, harp and percussion (15’)
Chamber
Air for flute and guitar (6’)
Air for woodwind quintet (6’) [may be programmed with the Origins cycle]
As if Snow for harp, vibraphone and piano (7’)
Beyond Blue for flute, clarinet, violin, cello, piano and percussion (11’) [may be programmed with the Tinted Sky cycle ]
Branching for mixed winds and strings (7’) [may be programmed with the Origins cycle ]
Constellations for two pianos and percussion quartet (6’_ [may be programmed with the Tinted Sky cycle]
Emerge cycle for piano and three bowed piano players (6’) [may be programmed with the Resonant Strands cycle]
Ethers for French horn, cello and percussion (8')
I Carry Your Heart (text Edward Estin Cummings) for soprano, cello and piano (2')
Increscent for violin and piano (10’) [may be programmed with the Resonant Strands cycle]
In Stillness for bass clarinet and cello (9’)
In Stillness for bass clarinet and string quartet (9’) [may be programmed with the Origins cycle]
Inward for string quartet
Lament for string quartet (5’)
Of Resonance for string quartet (9’) [may be programmed with the Resonant Strands cycle]
Sketches for flute, vibraphone and piano (10’)
So Close (text, Pablo Neruda) for soprano and piano (4’) [may be programmed with the the Waters of Time cycle]
Songs of Longing (text, Sappho) for three female voices and baroque chamber ensemble (20’) commissioned by Carrie Henneman Shaw with support from the Jerome Foundation with the American Composers Forum
That Time (text, Pablo Neruda) for soprano, alto flute, clarinet, violin, cello, piano and percussion (7’) [should be programmed with the Waters of Time cycle]
Twilight (text, six poems by e. e. Cummings) for soprano and alto flute, clarinet, violin, cello, harp and percussion (15’)
Solo
Constellations for solo piano (7’)
Echoes for solo piano (5’)
Opening for solo cello (5’) [may be programmed with the Resonant Strands cycle]
Opening version for solo violin (5’)
Opening version for solo viola (5’)
Rain Gardens for solo piano (5’)
Tendrils for clarinet (7’) [may be programmed with the Origins cycle]
Electronic and Multimedia
Lines electronic soundtrack for a film (3’) by Sarah Carlson
Songs of Longing (text, Sappho)
semi-staged piece for three female voices and baroque chamber ensemble (20’)
Twilight version for dance (text, six poems by e. e. Cummings) (15’) for soprano with alto flute, clarinet, violin, cello, harp and percussion
Arrangements
Nude (Big Ideas) by Radiohead arrangement for saxophone, flute, clarinet, violin, cello, piano and drumset (4’)
Cycles
Resonant Strands cycle of five extractable works drawn from the instrumentation: piano, bowed piano and string quartet (34’) (2005-2007). When all of the works are performed on the same concert, they are programmed in the following order:
I) “Emerge” for piano and bowed piano (5’)
II) “Of Resonance” for string quartet (9’)
III) “Opening” for solo cello (5’)
IV) “Increscent” for violin and piano (11’)
V) “Cadence” for piano, bowed piano, and string quartet (4’)
Origins cycle of five extractable works drawn from the instrumentation: woodwind quintet and string quartet (30’) (2007-2008). When all of the works are performed on the same concert, they are programmed in the following order:
I) “Tendrils” for solo b-flat clarinet (4’)
II) “Air” for wind quintet (6’)
III) “In Stillness” for bass clarinet and string quartet (9’)
IV) “Murmur” for bass clarinet and cello (4’)
V) “Branching” for mixed winds and strings (7’)
The Waters of Time (text, Pablo Neruda) cycle of six movements drawn from the instrumentation: soprano and flute, clarinet, violin, cello, piano and percussion (2007-2010) (15’):
I) “If Only” for soprano, flute, clarinet, violin, cello, piano and percussion (4’)
II) “Its Whisper” for soprano, flute and clarinet (3’)
III) “Without You” for soprano, flute, clarinet, violin, cello and percussion(4’)
IV) “So Close” for soprano and piano (4’)
V) “To Want” for soprano and piano, violin and cello (4’)
VI) “That Time” for soprano and flute, clarinet, violin, cello, piano and q percussion (7’)
Impressions and Images cycle of five works for mixed winds, strings, harp, pianos and percussion (2009- ). When all of the works are performed on the same concert, they are programmed in the following order:
I) “New Work” for flute, clarinet, harp, piano and percussion (in preparation)
II) "Rain Gardens" for solo piano (5')
III) “Beyond Blue” for flute, clarinet, violin, cello, piano and percussion (11’)
IV) “As if Snow” for harp, piano and percussion (7’)
V) “Constellations” for two pianos and percussion quartet (7’)
VI) “New Work” for orchestra (in preparation)
Between Darkness and Light cycle of five works for French horn, strings and percussion (2009- ). When all of the works are performed on the same concert, they are programmed in the following order:
I) “Ethers” for French horn, cello and percussion
II) “From the Depths” for solo contrabass
III) “Inward” for string quartet
IV) “Tranquil” for violin and cello
V) “With Reverence" for solo French horn, strings and percussion
- Orchestral
- Vocal and Choral
- Chamber
- Solo
- Electronic and Multimedia
- Arrangements
- Cycles
